#Sushio cartoon tribute movie#
#Sushio cartoon tribute series#

Genocide (albeit hinted at) and the destruction of the planet through scorched-earth warfare? Check. Colonization, in the name of “orderliness”? Check. “Her work goes way beyond passing the Bechdel test.”Īll that time spent not talking about guys frees up the princesses for more worthwhile work, like battling the Evil Horde, which is the embodiment of some of our own world’s nastiest ills. “In Noelle’s work, you can see why it’s so important to have talented young women in high-powered creative roles,” Mouly said. Even so, the new look drew the ire of a small but vocal group of online fanboys who slammed the new She-Ra for not being sexy enough.įrançoise Mouly, a longtime comics publisher and art editor at The New Yorker, was a judge on the panel that awarded Stevenson’s “Nimona” a best web comic prize for 2012. “The one thing we spent time on was She-Ra’s boots,” Murayama said. They replaced her high heels with boots (granted, ones with a stylish white, blue and gold colorway). The artists imagined She-Ra as a slim, fit teen, with white bike shorts and a high-collared top. (Adora’s eyes become giant and shimmering when she sees a horse for the first time.) “I wore out the pages in my Kill La Kill/Sushio artbook,” said Keiko Murayama, who helped create the character designs for She-Ra/Adora, Bow, Glimmer and Catra. There’s the eco-friendly ethos of Miyazaki and stylistic nods to contemporary anime. “The animation was limited,” Stevenson conceded.įor the reboot, the animation team created vivid backgrounds and sci-fi landscapes reminiscent of Moebius (“Heavy Metal”) and Roger Dean (those iconic “Yes” album covers).

Even so, she acknowledged its artistic limitations, from its choppy, often sparse movement to its routine use of stock footage. There was a lot that Stevenson liked about the Filmation original, from its action figure tie-ins (“it really felt like playing with toys”) to the crazy characters (“there’s a princess who can turn her legs into a fishtail”). Not long after, Beth Cannon, a DreamWorks development executive and “Nimona” fan, reached out to Stevenson about developing a story pitch. “I’ll never be a blonde,” she said, “but I get to be a blonde as She-Ra.”ĭreamWorks acquired the rights to She-Ra in 2012, along with more than 450 other Classic Media properties, like Casper, Lassie and Voltron: Defender of the Universe. “But we wanted to take what was fun about it and deepen it, and flesh it out.”Īimee Carrero, who was born in the Dominican Republic and grew up in Miami in a predominantly Latino neighborhood, is the voice of the show’s very Nordic-looking lead. “I love the original,” Stevenson, 26, said.

#Sushio cartoon tribute series#

And the series tackles some pretty heavy topics, like colonialism, genocide and isolationism, while aiming to maintain the buoyancy of its inspiration.

#Sushio cartoon tribute movie#

Moebius), the Japanese movie director Hayao Miyazaki and mainstream anime.

In place of the often-static animation of the original, the rebooted She-Ra lives in a vibrant world with stylistic homages to the French artist Jean Giraud (a.k.a. There are rainbow-colored flying unicorns and villains with giant red claws for hands, not to mention cool spaceships and battles royale.īut the reboot, from Noelle Stevenson, who has received critical acclaim for her imaginative girl-centric graphic novels, has more than cheap-looking frivolity on its mind. Adora is here, discovering the magic sword that transforms her into She-Ra when she invokes “the honor of Grayskull,” and so is Catra, her feline friend and on-again, off-again foe. In many ways, “She-Ra and the Princesses of Power,” a new Netflix series from DreamWorks Animation, will be familiar to fans of the campy original.